Scott Elmegreen is a playwright, composer, and author based in NYC and Chicago. His play Straight (NYTimes Critics’ Pick Off-Broadway; pub. Dramatic Publishing Company) is in development as a major motion picture and has been produced in theaters across the country and around the world. He wrote the music for Colin Quinn Long Story Short on Broadway (Helen Hayes Theater; HBO Special; national tour); Piled Higher and Deeper, The Movie; and many Off-Broadway shows; and he orchestrated the national tour of S'Wonderful: The New Gershwin Musical. His other plays and musicals include Thucydides (pub. Samuel French); COLLEGE The Musical (pub. DPC); Vote For Me: A Musical Debate (Off-Broadway; London); The Magic School Bus, Live! The Climate Challenge (national tour); Ivy + Bean, The Musical (Off-Broadway; national tour; pub. Theatrical Rights Worldwide); Hip Hop Cinderella (Amas Musical Theatre; The Universal Hip Hop Museum); Ladybug Girl And Bumblebee Boy, The Musical (national tour); and Awesome Allie, First Kid Astronaut (Off-Broadway; planetariums tour, pub. TRW). Under a pseudonym, he has written four science fiction novels published by HarperCollins Publishers. Education: Princeton University.
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Courses
TAPS 24080 New Musical Development: Writing Team
This class explores and replicates the professional theatrical process of new musical development, beginning with the concept for a show and ending with its premiere performance as an invited staged reading. Students will serve as book writers, lyricists, composers (Writing Team), and/or directors, music directors, actors, singers, and dramaturgs (Artistic Team) as they work together to craft and polish a new and viable work of musical theater. This class studies the art and theory behind theatrical storytelling, songwriting, directing, and originating new roles as actors, and students will work on their feet each week to bring their unique perspectives and skills to the creation of a new musical script, score, and performance. Creators with any amount of material towards a new musical (a full-length draft, a portion of a script and score, OR an outline) are encouraged to submit their work to selmegreen@uchicago.edu and lbdanzig@uchicago.edu beginning in Spring Quarter 2024, before this course is offered in Fall 2024. Students interested primarily in writing and/or composing should enroll in TAPS 24080 New Musical Development: Writing Team, while students primarily interested in acting, directing, music directing, and dramaturgy should enroll in TAPS 24081 New Musical Development: Artistic Team. Questions? Curiosities? Please contact Scott Elmegreen (selmegreen@uchicago.edu) and Leslie Buxbaum (lbdanzig@uchicago.edu). Consent required.
TAPS 21860 Songwriting for Musical Theater
This course is a practical introduction to the art and craft of songwriting for musical theater. Students will analyze and practice song form, storytelling through music, and the writing of lyrics and melody for character and tone. In addition to presenting and workshopping new song material weekly, students will learn about orchestration, arrangement, and the structure of the theatrical score by discussing standout examples of the genre. As individuals or in teams of two, students will develop a catalog of character- and story-driven songs to be performed in cabaret at the end of the quarter. A basic ability to read music is expected; experience in songwriting is not required.