Immersed in a summer odyssey into the captivating realm of Yue opera, Susanna Sun, a second-year Ph.D. student in the joint program of the University of Chicago's Theater and Performance Studies (TAPS) and East Asian Languages and Civilizations (EALC), embarked on a transformative adventure, facilitated by the Center for East Asian Studies (CEAS) Pre-Dissertation Grant. Describing the journey as "exceptionally rewarding, deeply satisfying, and truly inspiring," Sun unveils the layers of intricacy within the artistry of Yue opera. Currently focusing her research on Chinese opera across disciplines and media forms, Sun's exploration provides a unique perspective into the rich tapestry of this traditional performing art.
Sun's research project centered around an interview with Chinese actress Wanna Wang, who portrayed the male protagonist Jia Baoyu in the Dream of Red Mansions. The insights gathered from this interview form a valuable foundation for Sun's article in development on the cross-dressing performance of Yue Opera's Jia Baoyu character, with aspirations for future publication.
Reflecting on the opera training she observed, Sun shared insights into the collaborative learning experience with Wang. Describing the opening scene of Yue opera's classic play, "Chasing the Fish Spirit," Sun remarked, "This scene is quite demanding in its performance skills due to the complexities of emotions and the combination of free-style poetic singing and a long operatic monologue." The scene involves a male scholar's poignant monologue and singing to an imaginary fish in a pond, revealing deep tribulations and loneliness while attempting to playfully connect with the unseen aquatic companion.
Sun explained, "I was struck by the complex process—and the sheer amount of effort and details—that went into displaying the character’s mental state on stage." The training not only encompassed mastering the physical moves and vocal technique but also understanding the sub-contexts, providing a deeper insight into the character's psyche.
The summer experience also provided Sun with unique opportunities to witness the process of translating a Western drama into Chinese opera. Attending a captivating Yue opera adaptation of Oscar Wilde's "Salome," Sun engaged in discussions with the playwright, gaining valuable insights into the intricacies of the creative process.
Moreover, Sun had the privilege of attending rehearsals by professional actors in the opera house, witnessing their dedication and meticulous approach to refining their performances. "I was touched by the seriousness and care with which the actresses treated their rehearsals even if they were already extremely familiar with their performance content," Sun shared.
As a highlight of the summer, Sun connected with several renowned actresses in the opera house, who shared their black-box experimental theater projects. These projects exemplify the current generation's vibrancy and creativity in pushing the boundaries of Yue opera artistry, incorporating new technologies and theatrical devices. Some of these visionary actresses even expressed their hope to bring their innovative performances to the University of Chicago in the future.
The University of Chicago's TAPS program celebrates Susanna Sun's immersive and enlightening summer experience, recognizing her dedication to honing her craft and gaining invaluable insights into the rich and evolving world of Yue opera. The prospect of potential collaborations with the talented actresses from Shanghai Yue Opera House opens new avenues for the cross-cultural exchange of theatrical creativity.